I am a collector by Igal David Ahouvi (Hebrew: יגאל אהובי; born March, ) is an Israeli businessman and art collector. Ahouvi made most of his fortune in real estate, and owns real estate in Israel, Europe and Vietnam.
Igal Ahouvi is an Israeli businessman Owner of one of the largest private art collection in Israel—around artworks in a wide variety of sizes and media, Israeli buseinessman and collector Igal Ahouvi has an eye for both Israeli and international contemporary art.
Igal Ahouvi, an Israeli businessman Igal Ahouvi is an Israeli businessman and art collector. On the business end, he invests in and finances commercial real estate projects, primarily in the United Kingdom and Western Europe. He also invests in projects ranging from the hospitality sector to technological innovations.
A private contemporary art Igal Ahouvi is an Israeli businessman who invests in real estate globally. He started collecting contemporary art in , and since then Igal Ahouvi has a deep involvement and interest in the contemporary art discourse. The collection is directed by its head curator Matan Daube.
He is also a well-known From his experience of over 17 years in art collection, Igal Ahouvi has been made part of a board of trustees in the Tel Aviv Museum of Art. His real estate firms are mainly located in Israel, Vietnam and others in Europe.
Michael Ajerman was born Owner of one of the largest private art collection in Israel—around artworks in a wide variety of sizes and media, Israeli buseinessman and collector Igal Ahouvi has an eye for both.
Born 1954 in Israel,
Igal Ahouvi is an Israeli businessman who invests in real estate globally. He started collecting contemporary art in , and since then Igal Ahouvi has a deep involvement and interest in the contemporary art discourse. The collection is directed by its head curator Matan Daube. 
Igal Ahouvi Art Collection is delighted to lend the important video installation People’s passion, transparency, mobility, all surrounded by water () to the first major solo exhibition devoted to Neïl Beloufa in an Italian institution Digital Mourning, curated by Roberta Tenconi at Pirelli HangarBicocca in Milan. The exhibition alludes.